Reader Beware: Sone of the pictures and text in this article will have references alluding to the act of copulation and are not for juvenile eyes.
All we had left on our Lima List after the last three days were the Larco Museum and the Museum of Anthropologie. Unfortunately they were put off until the last minute because the Municipal buses didn’t run there and we knew we didn’t want to risk taking any questionable taxis, so the coordination was a little more challenging. Thankfully, due to the use of some broken spanish, the Google Maps GPS, and some kind-hearted locals, we were able to find our way.
We ended up taking a local bus instead of a combi for which both Tom and myself were very grateful. The combis routes are discernible from the main streets written on the side of the vans, but the operator will literally hop out of the sliding door while the driver slows down, yell out the major avenues, wait briefly for the locals to hop on, and zoom off to the next stop almost immediately! We saw this happen regularly everywhere we walked and simply could not wrap our minds around it. Our takeaway from our time in Lima so far is that traffic and transportation is chaotic at best.
The local bus dropped us off about a 10-min walk away from Museo Larco in the Pueblo Libre district. While there were some discernible differences between this district and other two districts that we have spent time in (Miraflores and Barranco), it was clear that the area was well maintained and representative of a middle-class population. It is definitely nice to get away from the hubbub of the main tourist destinations!
Museo Larco is said to be a must-see for all visitors to Lima (although Tom was not quite on board with my adamant desire to go). It is a privately owned museum that houses Pre-Colombian art purchased by Rafael Larco Hoyle around 1925. Rafael soon realized that Peruvian Archeaology was in its infancy and set out on a course for intense Anthropologie research thereby establishing a Peruvian chronology for ancient cultures that has remained valid to this day.
The biggest draw for visitors is the hall of erotic pottery. The vessels, or what we call art in the present, were created by the Moche Civilization who flourished in Northern Peru between 100 AD and 700 AD. To them, sex was not something to be rated-R, or blurred out on television, or even talked about behind closed doors. Sex was a celebration of joining, of life, and of death. This was exemplified by the various pieces of pottery depicting sexual intercourse, favors, and animal copulation.
The Moches placed an emphasis on the concept of circulation and flow. This is best exemplified by the adjacent piece. The woman’s body has been sculpted with an exaggeratedly large vulva, which allows liquids to both fill the orifice and flow from it. The position of the figure alludes to both childbirth and a sexual act, symbolizing a woman’s ability to act as a vessel to accept the insemination of life and likewise bring life into the world.
Personally I found the imagery and symbolism fascinating and got caught up in a photography blackhole! Tom lost interest quite a while before me, but since the museum had free-wifi, he used the chance to sit in the sun and catch up on emails and social media. Unfortunately we ended up not making it to the Museum of Anthropologie….
We finished off our day at, you guessed it! An artisan coffee shop called Origen Tostadores de Cafe where I enjoyed a Chocolate Affogato pick-me-up. ^_^
